The Colour of a Working Day
By Sunil Sharma
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The day wears the colour
of
a white envelope
with pink ribbons
placed last night,
outside the room
of a shared house
in downtown Toronto.
The Lake Ontario during
a wet spring, tossing, moaning
crashing against the
stony wall, watched by
a pensive gaze.
An empty boulevard bordered
by three weeping willows
with yellow leaves,
a lonesome runner, along the
pebbly shore and the ghosts
of trees whispering songs
of the lost tribes.
The brown eyes
of a bearded man sitting
before the interview-room, in
a reception area
full of hungry immigrants.
The gaunt face of a female student
bespectacled, preoccupied with
a long-delayed paper
on a laptop, corner-counter
of a Tim Hortons, to
close soon for a chilly night;
Of the torn tent
of a coughing hobo
outside the Union Station
with its Beaux-Arts architecture,
part of the networks
of the echoing corridors, plazas,
parking lots, the desolation
lit up by the neon lights.
Sunil Sharma is a humble word-worshipper: catcher of elusive sounds, meanings and images. He has published 27 creative and critical books-joint and solo. Sunil is the winner of, among others, the Panorama Golden Globe Award-2023, and, Nissim Award for Excellence-2022 for the novel Minotaur. His poems were included in the prestigious UN project: Happiness: The Delight-Tree: An Anthology of Contemporary International Poetry, 2015. He is Editor of the monthly Setu journal (English): https://www.setumag.com/p/setu-home.html