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A fitting tribute to an inimitable spirit:
Inside the Khushwant Singh Literary Festival


By Rachna Singh
A soul nourishing experience

I was first introduced to Khushwant Singh’s writing when I was a student in school. His story ‘The Portrait of a Lady’ was a part of our English curriculum. For some reason the story touched me deeply, perhaps because in his grandmother, I saw my own. I was of course familiar with his Editorial column in the Illustrated Weekly, of which my parents were regular readers. As a child, his jokes or ironical comments on contemporary politics or economics went over my head but the Mario cartoon festooned on his column always intrigued me and I would spend hours flipping through the magazine, which incidentally was the highest selling magazine in all of Asia then (except Japan).  Later, as a student of literature, I went on to read his novel Train to Pakistan which I revisited several times, trying to make sense of the partition and the mayhem it had caused.  Today, several decades later, I often turn to his volumes, A History of the Sikhs, to get an insight into the culture and heritage of the intriguing race I have been born into. So, when I received an invitation to be a part of the 13th edition of the three-day Khushwant Singh Literary festival, held amid the scenic hills of Kasauli, I was delighted.

 

Kasauli, a cantonment town in the Solan district of the state of Himachal Pradesh, served as the summer retreat for the officers of the British Raj. One can still see colonial style houses dotting its hillsides. Kasauli was also Khushwant Singh’s writing retreat and family home, as his grandfather Teja Singh, owned a beautiful sprawling bungalow called Raj Villa in the heart of the town. Naturally, when the idea for a literary festival to honour Khushwant Singh’s legacy emerged, Kasauli was the chosen venue. The festival is held at the Kasauli Club, which is barely a kilometer from Khushwant Singh’s house. We arrived in Kasauli early Friday morning and checked into a quaint little home stay for the duration of the festival. Then we eagerly headed for the Kasauli Club. It was as though all roads led to the Kasauli club, the venue of the Literary festival and the entire town of Kasauli had come together to support the event. From helpful directions from locals to army personnel facilitating access, Kasauli opened its doors to literature lovers. Volunteers at the Club's gate registered attendees and handed out goody bags adorned with Mario’s iconic cartoon, filled with festival-themed items, including a book on sustainable climate action, which tied in with the festival’s overarching themes of resilience and renewal.

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The back lawn of the Club decked with a cheerful yellow and green canopy was filled to capacity with literature enthusiasts. Listening to a galaxy of well-known, articulate writers and speakers, while the sun smiled on benignly and the leaves of the horse chestnut tree in the corner rustled happily in the breeze, was a treat for the heart and the soul. The festival offered sessions on an array of contemporary subjects: poetry, strong women, our Harappan roots, sustainable industrialization, artists like Souza, sexual trauma, future of politics, evolving forms of creativity, among others. The speakers ranged from political bigwigs like Manish Tiwari, economic aficionados like Amitabh Kant, award-winning poets and writers like Arundhati Subramaniam and Rakshanda Jalil, best-selling authors like Devdutta Patnaik, filmmakers like Imtiaz Ali, historians like William Dalrymple, advertisement barons like Prahalad Kakkar, podcasters like Amit Varma et al. Seasoned moderators and media personalities such as Jyoti Malhotra, Sarah Jacob, Gargi Rawat, Nirupama Dutt, Manraj Grewal, Bachi Karkaria, and Sathya Saran brought their expertise to each session, facilitating thought-provoking discussions and engaging with the audience. Each day of the festival began and concluded with musical performances, adding a charming touch. One of the festival's unique features was the lack of barriers between attendees and speakers, allowing for informal mingling and conversations. The festival fittingly concluded with a memorable dinner at Raj Villa, Khushwant Singh’s home in Kasauli.

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During the opening ceremony I remember Bachi Karkaria saying that Niloufer Bilimoria was the ‘brain and brawn’ behind the festival. As the three days unfolded, each carrying its own beautiful highlights, Bachi’s words rang true. Niloufer was everywhere, orchestrating the event with elan and seeming ease. Despite her packed schedule, she had the time to chat with everyone who approached her, giving the festival a very personal touch. She was the perfect host, ensuring the attendees did not miss out on the meals or the tea and coffee, so thoughtfully served between the sessions. She along with Rahul Singh, sat through all the sessions ensuring that everything ran smoothly. It was especially heartwarming that the core team and volunteers received well-deserved recognition during the closing ceremony for their behind-the-scenes efforts. Kudos to everyone involved for making the Khushwant Singh Literary Festival a soul-nourishing experience for literature lovers. It may be a ‘boutique’ festival, (Niloufer’s words not mine) but it’s certainly one of a kind.

Image by Thomas Griggs

A doctorate in English literature and a former bureaucrat, Rachna Singh has authored Penny Panache (2016) Myriad Musings (2016) Financial Felicity (2017) & The Bitcoin Saga: A Mixed Montage (2019) & Phoenix in Flames (2023). She writes regularly for National Dailies and has also been reviewing books for the The Tribune for more than a decade. She runs a YouTube Channel, Kuch Tum Kaho Kuch Hum Kahein, which brings to the viewers poetry of established poets of Hindi & Urdu. She loves music and is learning to play the piano. She is the founding editor of The Wise Owl, an international literary & art magazine

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